Audition Information for PVPA’s presentation of Lend Me a Soprano by Ken Ludwig
Location: Prescott Valley Performing Arts, 3235 N Main St, Prescott Valley, AZ 86314
Audition Dates & Times:
● Date: Wednesday , December 10
● Time: 6pm-9pm
● Callbacks (if needed): TBD
Performance Dates: February 7 - 14, 2026
About the Show: Ken Ludwig’s Lend Me a Soprano is a sparkling new take on his Tony Award-winning Lend Me a Tenor. The story follows a high-strung opera company general manager, her wide-eyed assistant, and a glamorous opera star whose arrival sets off an evening of mistaken identities, slamming doors, and outrageous comedy. NOTE: This show is a fast -paced farce requiring strong comedic timing, bold physical choices, and fearless energy.
Roles Available:
Mrs. Wylie (Lucille Wylie)-General Manager of the Cleveland Grand Opera Company, 1934. Bold, flamboyant, outspoken—a force of nature who expects things done her way.
Jo-Mrs. Wylie's assistant. Late-20s, practical but frazzled, smart yet undervalued. Must have or reveal a hidden talent (singing). At one point uses a faux Italian accent.
Jerry-Son of Mrs. Wylie. Early-30s, romantic, somewhat laid-back but tied into the business and family pressures.
Elena Firenzi-World-famous soprano engaged to perform one night only in Carmen. Elegant, glamorous, confident—and accustomed to adoration. Italian accent required.
Pasquale-Elena’s husband/consort. Italian accent. Jealous, passionate, handsome, very much part of the chaos that follows Elena’s arrival (or non-arrival).
Leo-Tenor in the opera company (Dutch accent). Handsome, warm, confident, a bit of a charmer. Adds another layer of romantic & comedic tension.
Chairwoman of the Opera Guild (age 60s+). High-society type, somewhat grand and perhaps oblivious of backstage chaos but influential in the production’s success.
Bellhop-Hotel employee (any gender). Youngish (20-40), eager, energetic, a little goofy—provides physical comedy and scene-shifting backstage movement.
Audition Requirements:
● Please Fill out Audition Form Below.
● Auditions will consist of cold reads from the script. ( Sides will be provided.)
● Actors may be paired with scene partners to assess chemistry and timing.
● Bring:
Calendar of all potential conflicts from January 2-through performances.
Headshot & résumé (if available, but not required).
Rehearsal Commitment:
● Rehearsals begin January 2, 2026
● Typical schedule: TBA
● Tech Week: January 31 -February 6th, 2026
Notes from Director, Layla Tenney:
This farce thrives on rhythm, precision, and bold choices. I’m looking for actors who can commit to high-energy comedy while keeping the characters grounded in truth. Don’t be afraid to take risks and have fun—this is a play that shines when the performers fully embrace the chaos and joy of live theatre. Come ready to play . Come ready to laugh. Come join the chaos!
Questions? Contact Layla Tenney at laylatenney@yahoo.com or (928) 499- 2320.